publishing
Porous Places, Eruptive Bodies:
The Feminist Group Le Nemesiache in 1970s and 1980s Naples
My thesis from the practice-based PhD at Goldsmiths University (AHRC scholarship), 2022
Ritual and Display
Editor and contributor of this reader of texts for If I Can't Dance, I Don't Want to be Part of Your Revolution,
at the conclusion of my fellowship, 2022. Click ~here~ to see the book
Heart Brake: research on a feeling expanding into movement
published on Coreia, September 2023
Sea Urchins Stains and the Capture of Eruptions
Click ~here~ to read more. Published on Verge journal, May 2023
Gestures for Feminist Transmissions
in the volume Gestures: A Body of Work, University of Manchester Press, December 2023
Feminist Ruptures with No End in Sight
HKW Berlin, catalogue text for Ceremony: Burial of an Undead World, January 2023
On Patriarchy and Feminisms: A Sketch from Naples
published on Umbigo Magazine, September 2022
Archival Diffractions: A Response to Le Nemesiache's Call
published in the volume Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory edited by Cristina Baldacci, Clio Nicastro and Arianna Sforzini
~(ICI Berlin ‘Cultural Inquiry’ series)~; introduction bySven Lütticken, January 2022
The Nameless Healer: Threshold
text written for an exhibition at Trixie The Hague with Mami Kang and Antonin Giroud-Delorme, March 2022
Let’s build a city with a woman-dimension:orography and dance with Le Nemesiache from Naples, to Amsterdam
A performance lecture streamed live from Rongwrong, video documentation available, 2020
Transmitting Feminisms
in: Sofia Lemos and Alexandra Balona, eds. Metabolic Rifts Reader. Berlin/Lisbon: Atlas Projectos, pp. 143-162, 2019
Catalogue essay commissioned for an exhibition with artists Abraham Kritzman and Theodore Ereira-Guyer at Art Hill Gallery in London, 2019
Co-Authoring Values
in Daylight, pp. 10-15, curated and collated by Madeleine Hodge, Clare Qualmann, and Amy Sharrocks. London: Wellcome Collection, 2018
An essay published in the collection Livro by Plana in São Paulo, available in English and Portuguese, 2018
Mark Dion’s Monstrous Bonanza at Whitechapel Gallery
Review of Mark Dion's show at Whitechapel Gallery in London for Umbigo Magazine, 2018
Terraces Down the Woody Mountain Side
Catalogue essay for an exhibition commissioned by Exhibit Gallery in London, 2017
Text commissioned for the exhibition Coated in Pre-existence at The Cob Gallery in London, 2016
La Passerella: Ways of Accessing the Sea
Editor and contributing writer for the book As is the Sea: An Anthology, 2013